Cadenza Blue is true to the music with a tremendous clarity.
The Cadenza Blue model is using a Nude FG 70 stylus with a very thin ruby cantilever. The coils are made from 6NX (99.9999 %) pure silver wire. An improved winding process on the armature allows a better channel balance.
The soundstage of Cadenza Blue is wide open and grandiose straight out of the box. Micro dynamic and ambience will be evident when listening to complex compositions. It reaches a very high degree of definition in the perspective, which is very present.
Positive Feedback Issue 98, July 2018
By John Hoffman
“…The Cadenza Blue is created to maximize detail retrieval from a record, and yet accomplish this task without skewing the frequency response, or creating unnatural phase shifts that result in the facade of heightened resolution. Even though the Blue is a remarkably detailed cartridge, it does not sacrifice the integrity of the music to accomplish this. … ”
“…Another attribute of the Cadenza Blue that I find captivating is how this cartridge portrays space… The Cadenza Blue keeps this aspect of the recording tightly focused, and it is possible to listen to the reflected vocals as clearly as you do the initial phrasing…In some ways listening to the emptiness of the room adds another dimension to the music, and the Cadenza Blue allows a listener to hear space and the blackness between the played notes in a way that helps define the music. A gifted composer uses the attributes of silence and time between notes as an element of the composition, and the Cadenza Blue faithfully reproduces these aspects of the music for us to hear…”
“…there are those rare instances where you encounter a component that expresses the organic nature of music in a way that galvanizes your listening experience. The Ortofon Cadenza Blue does this for me, and I willingly admit to being enchanted with the abilities of this cartridge…”
The story about Cadenza
Cadenza (from Italian: meaning cadence) refers to a portion of a concert in which the orchestra stops playing, leaving the soloist to play alone in free time, without a strict, regular pulse. A cadenza can be written or improvised. It’s usually the most elaborate and virtuosic part the solo instrument plays during the whole piece. At the end of the cadenza, the orchestra re-enters, and generally finishes off the movement.
During the 19th century, composers began to write cadenzas out in full. Others wrote cadenzas for works, where the composer had intended for the solo to be improvised, in order for the soloist to have a well formed solo that they could practice in advance. Some of these have become so widely played and sung that they are effectively a part of the standard repertoire.
- Output voltage at 1 kHz 5 cm/sec – 0,5 mV
- Channel balance – < 1,2 dB
- Channel separation at 1 kHz – > 23 dB
- Channel separation at 15 kHz – > 15 dB
- Frequency range at -3 dB – 20 Hz – 50 kHz
- Frequency response 20 Hz – 20 kHz – +2/-1
- Tracking ability at 315 Hz at recommended tracking force *) – 80 μm
- Compliance, dynamic, lateral – 12 μm/mN
- Stylus type – Nude FG 70 on Ruby cantilever
- Stylus tip radius – r/R 6/70 μm
- Tracking force range – 2,2-2,7 g (22-27 mN)
- Tracking force recommended – 2,5 g (25 mN)
- Tracking angle – 20º
- Internal impedance, DC resistance – 5 Ohm
- Recommended load impedance – 50-200 Ohm
- Cartridge body material – Stainless steel Aluminium
- Cartridge colour – Blue/Black
- Cartridge weight – 10,7 g